Step away from the fast-paced rhythm of daily life and immerse yourself in the beauty of Lingnan-style paintings on display at the Gravity Field Art Gallery at The Chinese University of Hong Kong, Shenzhen (CUHK-Shenzhen).

To mark the 30th World Book Day and the 10th Shenzhen Juvenile Reading Day, the Shenzhen Publishing Group will launch over 100 events from Saturday to May 5, featuring new book releases, technology-driven interactions, sales exhibitions, and reading initiatives across the city.

The Frankfurter Buchmesse (Frankfurt Book Fair), the world’s largest trade fair for books, will participate in the upcoming 21st China (Shenzhen) International Cultural Industries Fair (ICIF) next month.

The Changshawan Service Area opened yesterday.

The Shenzhen Symphony Orchestra (SZSO) premiered Chinese composer Ye Xiaogang’s fifth symphony at two sold-out concerts last week at Shenzhen Concert Hall and Guangzhou’s Xinghai Concert Hall.

On March 25, Shenzhen Bay Culture Square signed a cooperation memorandum with The Design Museum in London, becoming the museum's first strategic partner in the Asia-Pacific region.

Shenzhen Library has officially launched the “Art Wiki: Global Art Resource Database,” a groundbreaking platform that features over 2.11 million high-definition artworks sourced from more than 2,400 art institutions across 112 countries and regions.

The highly anticipated 2025 Art Basel Hong Kong is set to showcase 240 galleries from 42 countries and regions, including 23 first-time participants.

In February, during a global gathering of consuls general and representatives from foreign chambers of commerce and institutions based in China, attendees at the Shenzhen Museum of Contemporary Art and Urban Planning were transported into the vibrant world of Yangliuqing woodblock New Year pictures.

The Xixiang North Deity Temple Fair, a provincial-level intangible cultural heritage event, will be held in Xixiang Subdistrict, Bao’an District, from March 26 to April 3, as announced at a press conference yesterday.

Throughout its 46-year history, architecture’s most prestigious prize has often been won by icon-builders: the apparent lone geniuses who imprint their visions, signature-like, on the world. This year’s Pritzker Prize, often dubbed the “Nobel of architecture,” has nevertheless gone to a man who actively avoids having a recognizable style.

The Chinese adaptation of Agatha Christie’s “Death on the Nile” will be staged in Shenzhen later this month, promising an unforgettable night of a duel feast of intellect and thrill.